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Vol. 39, No. 1

Charles Fleetwood’s Debts –§– Plays at Christ Church in 1636: A New Document –§– Amateur Theatricals at Sir Percy Shelley’s Theatre, Boscombe Manor –§– I Was Present at the Representation……

Vol. 39, No. 2

The Staging of The Castle of Perseverance: A Re-analysis –§– The Drudy Lane Actors’ Petition of 1705 –§–Thirty Years of Struggle: Entertainment in Provincial Theatres Between 1840 and 1870. II…

Vol. 39, No. 3

An Early Conflict Involving the Production of R. B. Peake’s Presumption; or, the Fate of Frankenstein –§– The Staging of The Castle of Perseverance: Testing the List Theory –§– Acting…

Vol. 38, No. 1

New Light on the Theatre From Wit & Mirth: or, Pills to Purge Melancholy –§– “An Awful Look Upward”: Garrick’s Advice on Delivering the Service of Common Prayer –§– The…

Vol. 38, No. 2

A First-Night Prologue for the New Theatre, Lincoln’s Inn Fields –§– The Problem with Periaktoi –§– The Dyer’s Hand in Rex Diabole –§– Obervations on the Backstage Area in the…

Vol. 38, No. 3

Killigrew’s Cap & Bells –§– Richard Norton & the Theatre at Southwick –§– “Refined Vivacity”: The Acting of Leigh Murray –§– A La Langtry –§– A London Theatre Club in…

Vol. 37, No. 1

Gallows Scenes on the Elizabethan Stage –§– Where Was Garrick’s Prompter? –§– The Playhouse in Wine Street, Bristol –§– Arthur Savill, Stage Player –§– Robert Southey’s Wat Tyler –§– Surviving…

Vol. 37, No. 2

The Comte de Gisors in London, 1754 –§– Hampton Court Theatre, 1718 –§– Wires or Strings? –§–Komisarjevsky Directs Chekhov in London –§– Additional Players’ Lists in the Lord Chamberlain’s Registers,…