SPACES, DOORS AND PLACES IN EARLY MODERN ENGLISH STAGING
by Tim Fitzpatrick with Daniel Johnston
In a continuation of Ichikawa's recent discussion in Theatre Notebook, the use of stage doors is further considered, particularly in Ben Jonson's Epicoene, and various Shakespearean plays. The doors may be indicated to lead to various off-stage spaces, within or outside a house, and the meaning of a given door may change during a play. With the arrangement of a central opening upstage and two flanking doorways, the authors conclude that the flanking doorways had curtains. They illustrate this using the frontispiece of the 1640 edition of Jonson's Workes, in which hangings are supported by nails.
NATURAL-BORN SHOWMAN: The Stage Career of Charles Collette, Actor & Comedian
by Bernard Ince
Charles Collete (1842-1924) was active from 1868 to 1914, beginning with the Bancrofts and ending in The Admirable Crichton, mostly in comic roles. An extensive list of his appearances is given, though probably without all his touring dates. He married Lady Bancroft's younger sister.
LENA ASHWELL AND THE STARLIGHT EXPRESS
by Margaret Leask
Actress/manager Lena Ashwell (1869-1957) managed the Kingsway Theatre from 1907. During the World War I she organised groups of actors and singers to entertain troops on the Western Front in France, in "Concerts at the Front", for which she raised money. In 1915 she produced, as a Christmas show, The Starlight Express, a version of Algernon Blackwood's The Prisoner of Fairyland, allowing about two months for preparation and rehearsal before opening on 29th December. She persuaded Elgar to write incidental music (his Opus 78) at very short notice, but the show ran only until 29th January 1916 and was not revived.
NOTES AND QUERIES
Glass Plate Negatives by Bertram Park and Yvonne Gregory, acquired by the Mander & Mitchenson Collection.
V & A Collections update.
Theatre Histories Database
"The Theatre" - Site of John Burbage's first theatre in Shoreditch uncovered, to become the site of the (Canonbury) Tower Theatre Company's new theatre.
The Progresses, Pageants, and Entertainments of Queen Elizabeth I
Jayne Elisabeth Archer, Elizabeth Goldring, and Sarah Knight (eds.)
The Cult of Kean
by Jeffrey Kahan
The Incomparable Hester Santlow: A Dancer-Actress on the Georgian Stage
by Moira Goff
Jane Eyre on Stage, 1848-1898: An illustrated edition of eight plays with contextual notes
by Patsy Stoneman
Henry Irving: A Re-evaluation of the Pre-Eminent Victorian Actor-Manager
Richard Foulkes ed.
The Performing Century: Nineteenth-Century Theatre's History
Tracy C. Davis and Peter Holland (eds)
The Making of Theatrical Reputations
by Yael Zarhy-Levo
REED in Review: Essays in Celebration of the First Twenty-Five Years
by Audrey Douglas and Sally-Beth MacLean
Some items briefly noted.
Theatre Notebook Home
28th February 2011